TheEpochTimes: Chernobyl Perspective Told in Animated-Documentary Short
Ñòàòüÿ Äæî Áåíäåëà (Joe Bendel) â TheEpochTimes: Chernobyl Perspective Told in Animated-Documentary Short.
Ôèëüì "Èñòîðèÿ Ëåîíèäà" íà Ìåæäóíàðîäíîì ôåñòèâàëå â Ìåëüáóðíå.
Most of the perils of living in a police state are oppressively obvious. However, there are hidden dangers to the rigid control of information. Just ask the citizens of the former Ukrainian city Prypiat, if you can find one.
Russians Leonid and Ludmila Korzh were two such survivors, whose average-turned-remarkable lives are the subject of Rainer Ludwigs’s animated-documentary hybrid short film “Leonid’s Story,” which screened at the 2011 Melbourne International Film Festival and is currently streaming free of charge at Mubi.com until Aug. 8.
Leonid Korzh is truly fortunate to be alive. Not just a resident of Prypiat, he was also a so-called liquidator, one of the first responders charged with implementing the evacuation—once it was finally ordered. Indeed, it took a while, with no official warning from the Soviet authorities to at least stayinside. Of course, as a police officer, one of his most pressing assignments was to secure his station’s arms. All the while, he had a pregnant wife at home to worry about.
Chernobyl remains a gaping sore that the Soviets conveniently abandoned in Ukraine’s lap. According to the film, only 300 of the 1,100-some villagers of nearby Kopachi survived. Those are bad odds.
Writer-director Ludwigs, in close collaboration with producer Tetyana Chernyavska, has crafted an artful fusion of animation, archival photographs, and contemporary documentary footage.
The film definitely evokes a sense of the bad old Soviet days, when assignment to a nuclear power plant’s bedroom community was considered a plum assignment in contrast to the Siberian backwater where Korzh had previously been stationed. Yet, it also captures the personal drama of a family in a time of crisis. Needless to say, it does not paint a particularly flattering picture of the Soviet government’s response then, nor of the Russian regime’s treatment of its permanently ailing liquidators today.
Somehow, though, “Leonid’s Story” is not unremittingly bleak, thanks in large measure to Ludwigs’s stylish animation. Somewhat timely, it also proves how forthcoming and responsible Japan was in comparison when faced with its own nuclear crisis.
At 19 minutes, it is quite a substantial short. A topical work of artistic merit, “Leonid’s Story” is highly recommended both on Mubi and as it continues to play the festival circuit.